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The cast keep up the frantic energy throughout, only slowing the pace for a cheerful song about friendship.When you subscribe to The Stage, you’re investing in our journalism. We are fully independent, but this means we rely on revenue from readers to survive.The four contestants are all pantomime performers in real life, which means our suitor Craig (Charming) will have plenty in common with the lady of his choosing.
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Louise Beresford deftly fields heckles from the more precocious audience members as Cinders, while also appearing as a swaggering genie with a pint and tinsel-bearded Merlin, who sings a genuinely catchy funk song about magic beans.
Meanwhile, musician Severine Howell-Meri provides strong support with guitar, keyboard, slide whistle and a Santa costume.
Cinderella and Prince Charming have bonded over a shared passion for DIY and bathroom sealant, Rumpelstiltskin is on the rampage and the Fairy Godmother is pining for her lost love Jack, who’s up the beanstalk with a pregnant cow.
Originally devised and performed by the all-male Sleeping Trees, Cinderella and the Beanstalk has been revived with a female cast of four.
But the real stars are hard-working Buttons (Jamie Smith, under his stage name Brook), the raven-haired Cinderella, a lovely unaffected performance by Georgie Leatherland, and Prince Charming, played with wide-eyed charm and a streak of naughtiness by Cameron Burt.
Cabaret king Kit Hesketh-Harvey brings his trademark sardonic wit, dripping with double-entendres, to the role of Dandini.
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That’s when the Ugly Sisters smother Buttons with custard pies and he in turn spreads foam around the audience, to the delighted squeals of the children.
There’s also a water cannon, so avoid the front six rows if you don’t like getting wet.
All are agile performers, each playing a bevy of characters, often in same scene.